Thursday, 16 May 2013

Forgetfulness and Other Graphic Novels


The sky tonight's a disowned chore of blue
and it hangs over my bed in irrational snatches. Like
the second-last paragraph of a conspiracy novel, printed
as a footnote to the foreword, for no good
reason.
Sometimes it scurries across the wood trails of my shallowriver gaze,
other times it just
hangs in there, looking down at me like
I'm supposed to put a finger on it's awkwardness, number
it with my favourite digit. Why
should I have a favourite digit? I think
I am fond of words. Some days 
words are
kids in love, some days 
they are lonely planets traipsing 
around a hungover wall clock. Words are like
ancient mineral rocks on the far side
of the moon, waiting an eternity per
second, imagining a small
'hello' 
over and over in their heads before
they explode 
over their ocean of 
allacrossness. Words are
patience. 
May be it should have
been words up there in that
tumbling sky, instead of dead 
stars - to calm the nerves, fill
up the spaces
and all the rest. Imagine
lying on your back, looking up
to spot a blinking
Hello, find a tilted
You ,
shining in calm
awareness. 
And you could
trace your fingers across
it all to join them up, any
constellation you like, any
day. 
That'd be something.
But the sky tonight's a disowned chore of blue.
I think I'll sweep it up now, before
it pukes paper moons and other
Jane Doe planets in the
name of 
getting noticed. 


Feeling pretty is a war-time fairytale.


A Mid Summer Noon's Dream


And Summers have a way of slipping into dreams. The droolface, the doodlebreath,
the little wiggly sunshapes
crawling across your floor,like lousy projector-shots
of happy-high Mockturtles and Gryphins. Heeh.
I don't know why the noons are always at each other's heels,
Three Doors Down, always.
And if you try fix your gaze on them for longer than it takes for your eyes to well up,
they might even take you along
when they slip away,
away, into,
their dreamscape. Some days, you'd really like that.
You can rollup your shorts and hopscotch around the wobbly frames of
Time and Space, humming someone else's favourite song, thinking
it to be yours, all the while. You can sprint across whole worlds
of sunshine,
run through fieldsoffaces and
fieldsofforevers, run
run
run
till you are on the other side of
the brilliance, aching, undone, breathless
beautiful.
You'd meet people on the way, and you know how people
take you up on their toes
so much more easily, when they are not just
people. There would be laughter, happy
echoes. Not the kind of happy that hurts.
Just happy.
And if,
people,
slip their hand into yours,
there would be 
walks, like a
three minute song
on loop-
You'd try to fix in memory all
the streets and shadows that
you pass, may be end up
naming a few of them together. And if
you cant quite trace back the map
a minute after 
you wake up, that's
all right. That's all right, because
there'd be laughter.
As for the small part towards sundown
when you'd stretch every shadowcell in your
shadowlimbs to be able to
touch
this renegade one, and
all you'd touch is wakefulness,
that's all right
too.
All right because there was
laughter. 
So much of it:)

A Very Little Rainy Song


I wrote a
very rainy song, still
very little
warm, from waiting
under street lamps, terribly
tall, and I
wrote
a very rainy song, a little
very washed out, a little
brown slush or
love
across 
her cheeks 
and a little cold and 
lost or
dreaming, very possibly
happy, happy
like that, a little,
and I
wrote a very rainy
song, 
for a boy
or a town, for
each, or
none, I wrote, little
by little, I, well
I,
wrote him 
a very rainy song


for growing up 
under the
rains

with me

Wednesday, 8 May 2013

Magic Realism, Who?


He is lying awkwardly on our favourite patch of grass,
a convoluted mist of silver draining steadily out of his chest.
Leaning over on wobbly knees, I put my hands on the gash where the stray clock bolt had struck him before rebounding into the sneaky summer light.
It had struck him while I wasn't looking. But when it had struck him, it had struck me too. And I am now
looking.
Clocks have always been my thing, you know? I'd seek them out and gather them in rows. Like
something people do with stamps or coins or tickets. That kind of thing.
It is another thing that I am always running a little late
in brooding over my collection, comparing amused notes over our shared apathy towards time.
I press down harder, stretching my fingers to cover as much of the wound as a hand my size possibly can.
He has just enough time to see me take off my ring (I figure it'd feel really cold against his gash) 
before closing his eyes.
Yeah, that should help. He needn't see this wreck around him.
I continue to pour over him, cupping away those sad stains that start to overwrite the stripes of his now-wet shirt.
This is a favourite shirt. This is a favourite boy.
Suddenly I cant recall just why I had looked away anyway.
I keep it light, the fumbling strokes. I cannot hurt him.
Or can I?
'Oii, I've got you now. It's okay, I'm right here' , I mumble, scared of our quiet.
'Shush, It's all right. Don't hurt. 
Oi, don't, 
don't hurt'.
And in reply, yet another batch of dusty days and seasons drizzle down the hole in his chest.
I am not ready to sob just yet. So I swallow some.
We are now surrounded by a pool of blooming vagueness -
brown leaves, pebbles, laces, filters, wrappers, biscuits and bills swimming around
in the puddle of his silver, amongst
other things.
Lost, demented, darling
things.
‘Oii! Stop. You are bleeding Us 
all 
out! And my hands are all aches and stains now. Oii Oi oi!
Make.it .stop!’  I scream, 
my voice a lousy ghost of my panic.
He rolls around a little, more undone than unheeding.
Now I go back to half-whispering.
Something’s got to give. I keep stretching my palms to fit his spreading wound and
he keeps bleeding fresh bursts of silver onto
my favourite patch of grass.
‘Oii, oi oiiii
open your eyes. It’s getting so dark. And I can’t see.
Oi, please?’
Slowly, with a tiredness that looks 
a lot like me, he opens his worn out eyes, 
barely.
And suddenly, all at once, I recognize the shade of void that I had been trying to awaken.
More out of habit than appropriateness, I smile into his beautiful gaze.
‘I’ll leave now. I’m removing my hands from here, okay?  Be all right. Be good 
when you are done bleeding..’ .
 I watch my numb fingers make a lame attempt at rearranging that familiar mess of hair across his forehead. ‘And oh, change into something else. 
Something not a shirt’, I add.

Something about that makes him smile back,
 a little. The flailing
authority in my voice, perhaps.  


‘Oi, does it feel any better?’  I plead, beginning 
to lean away in a dizzy, dizzy circle.

‘It feels better’, he calls back.‘Yes,
it feels

Nothing’